Mahmoud Khaled’s work traces the boundaries between what is real and what is hidden, disguised or staged. The impact of his training as an academic painter can be seen in his concern with form, which is at once extravagant and austere. Mixing photography and video with sculptural forms, sound and text, his works can be regarded as formal and philosophical ruminations on art as a form of political activism, as an object of desire and as a space for critical reflection. His artistic vocabulary is composed of appropriated forms that have been displaced from their original context thereby proposing alternative meanings.
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